Walking from one side of the city to the other, following a street map that is variable but centered on the sculptural, we can talk about a route of the sculptures. A route that is not prefixed or requires to see them all (hundreds).
Oviedo and Woody Allen
Oviedo is above all a pedestrian city, comfortable for passers-by. Film director Woody Allen, Prince of Asturias Award for the Arts 2002, knows it well. Walking through its streets, he left a good number of compliments and accurate analyzes for local history. Oviedo is a «delicious, exotic, beautiful and pedestrianized city; it's as if it didn't belong in this world, as if it didn't exist ... like a fairy tale ». Oviedo is, according to him, an “isolated but very beautiful” territory, which produces the sensation of being out of reality: “in a protected atmosphere”.
Since the prestigious Allen was pronounced in this way, in the Asturian capital they looked for the way to thank him for these words and to render him cult secular. The statue of Woody Allen that now "walks" in the heart of the city surprised the director himself in a visit to Asturias in May of 2005. A well-known regional newspaper titled the meeting in this way "Allen knows Allen". After observing her carefully Woody told her companions that it was very difficult to react to the statue of oneself. Later, in a hearing in the auditorium, he left for the story a phrase that could well fit into his large list of famous quotes, or in the ironic dialogue of one of his films: "I would like to come every year to put a wreath of flowers".
The fact is that the statue of the great Woody, the only officially known on the planet, is now one of the hallmarks of the city of Oviedo. Many are portrayed together with the great filmmaker. They mimic their pose: they slightly advance their left foot and put their hands in their pockets, adopt a pensive countenance and almost forget that what is walking beside them is a statue.
Another honoree at the Prince of Asturias Awards, Joaquín Salvador Lavado Tejón «Quino«, He has seen how Oviedo has a privileged seat for the girl in his eyes: Mafalda, that awaits us in a downtown bank of the San Francisco field with a smiling face.
Oviedo and the sculptures of the old town
The fondness to be photographed with the statues of Oviedo began in the year 1993, when thousands of tourists already stopped to be photographed with the lonely male figure who watches the distance from the Plaza de Porlier, leaning on a trunk, with his feet surrounded by suitcases . Is The return of Williams B. Arrensberg, by Eduardo Úrculo, popularly known as "the traveler". A pioneering work of its kind, which floods with nostalgia, but also with an adventurous and detective flavor, the historic center of Oviedo. For Úrculo, certain objects such as suitcases, coats, banks and - especially - hats are loaded with symbolism about the human condition.
In the square of the cathedral we find another fictional character. A bronze woman who walks immobile in her period costume. It's Ana Ozores, The Regenta, that lived in the imaginary Oviedo (Vetusta) of Leopoldo Alas Clarín and that with this retort lasts forever outside the novel; in eternal coexistence with citizenship.
Oviedo and Botero, Oviedo and Úrculo ...
Fernando Botero came to give Oviedo his most rounded sculpture. The brilliant Colombian artist contributes to the basic route of the sculptures with a huge work, well polished bronze and without sharp edges or edges. The great Maternity, queen and lady of the Plaza de la Escandalera, with her more than 800 kilograms of weight, she holds in her arms the thickest baby that can be conceived.
Fatness and disproportion also affect the sculpture that was the most talked about in Oviedo when it was placed next to the Campoamor Theater in the 2001 year. The Culis Monumentalibus, of Úrculo, has no hidden meaning in principle, it is an ass with all the letters. A superculus, we could conclude, raised by a rotund jambs more than 4 meters high. Although it weighs more than a ton seems to want to take off to the sky in search of a back that gives a little dignity.
There are hundreds of sculptures that are scattered in every corner of the city, from San Francisco Park to the most recondite sites. The style is varied, although the figurative tendency clearly predominates. The biological cow, by Cuco Suárez, is the most avant-garde sculpture of all. Located in the winter park, it is made of methacrylate and its transparency reveals an illuminated, neon circuit that highlights the animal's internal functions: food, blood, respiratory ... Its night vision is surprising.
Asturias, its customs, its traditional crafts are a constant in many of the sculptures that adorn Oviedo: The vendors of Fontánin the Plaza del Fontán; The milkmaid y The fish seller, placed in the Plaza de Trascorrales; Guisandera in Gascona street; or the popular photo The bullfighter, immortalized in the San Francisco Park, are good examples of this theme.
There are many sculptures that remain to be described, although in our walk through Oviedo we are going to step out: Monument to Concord, in the Plaza Carbayón; Peace, on the Prince of Asturias Foundation Avenue; Life, in the Plaza Hermandad de Donantes; Violinist, in the Plaza de la Gesta; El Diestro at Palacio Valdés; Beggar with dogs in the street Alejandro Casona; The asturcones, in the Plaza de la Escandalera, and a long etcetera.
Presiding over this huge mosaic of inanimate beings is the largest sculpture in the city, The Sacred Heart of Jesus, on the summit of Mount Naranco. From there breathes life to all, be they of flesh and blood, stone or bronze.